SABar and piano
Duration: 2.5 minutes | Difficulty: Very Easy – Easy
Higgins’ setting of this popular folk song is simple and wistful, particularly well-suited for children’s and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongside the vocal lines, creating suspensions that reflect the mysterious demands of the narrator. Originally published in The Oxford Book of Flexible Choral Songs ed. Bullard for three-part choir.
SABar (with optional Bass) and piano
Duration: 2 minutes | Difficulty: Easy
Higgins’s setting explores the vibrant, natural imagery in Rossetti’s text with flowing melodic lines and warm harmonies. The elegant piano accompaniment is characterised throughout by quick demisemiquaver flourishes, as though painting an aural portrait of the ‘singing bird’. First published in The Oxford Book of Flexible Choral Songs ed. Bullard.
SSA and piano
Duration: 3 minutes | Difficulty: Easy – Moderately Difficult
From the collection As you sing ed. Ferris and Tomlinson ‘Hope’ is the thing with feathers is a warmly uplifting secular concert work by Michael Higgins, setting the well-known poem by Emily Dickinson.
SSA and piano or harp
Duration: 3 minutes | Difficulty: Very Easy – Easy
Higgins’s arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices; the second is a cappella, with an optional soloist or small group and sustained ‘ooh’s; and the last verse features fresh, homophonic harmonies. The accompaniment twinkles gently around the voices, contributing towards the magical character of the arrangement.
“I was immediately touched by the exceptionally fine and tender setting of Away in a manger by Michael Higgins. The lilting piano or harp part floats over arpeggio figures with occasional touches of a gently placed seventh and ends with a haunting two-octave unison. […] This beautifully crafted piece would work so well with young singers as well as adult choirs.”
Joy Hill, Choir & Organ, August 2021
SATB and piano or harp
Duration: 3 minutes | Difficulty: Very Easy – Easy
Higgins’s arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices; the second is a cappella, with an optional soloist or small group and sustained ‘ooh’s; and the last verse features fresh, homophonic harmonies. The accompaniment twinkles gently around the voices, contributing towards the magical character of the arrangement.
“I was immediately touched by the exceptionally fine and tender setting of Away in a manger by Michael Higgins. The lilting piano or harp part floats over arpeggio figures with occasional touches of a gently placed seventh and ends with a haunting two-octave unison. […] This beautifully crafted piece would work so well with young singers as well as adult choirs.”
Joy Hill, Choir & Organ, August 2021
SSA and piano
Duration: 2.5 minutes | Difficulty: Very Easy – Easy
Michael Higgins’s gentle setting of the traditional Gaelic Blessing has a memorable melody, a flowing piano part, and a beautiful, soaring soprano descant in the second verse. Written for the National Children’s Choir of Great Britain, the piece would be particularly suitable for children’s choirs.
“Demand for settings of the ‘Gaelic Blessing’ shows no sign of abating this ‘new’ one . . . has its own musical language that is easy on the ear, with a warm romanticism and an idiomatic piano part that contains much of the interest. There is variety in the choral textures, and I’m sure that young singers would enjoy it.”
James L. Montgomery, Sunday by Sunday (RSCM), December 2020
